felt it wasn’t chirpy enough and brought Crane and Kauffman back to help write the final version, which was tagged onto “L.P.” “like a hidden track.” The song topped the charts globally and “L.P.” went platinum. The pair completed the song, but Warner Bros. I don’t remember if they recalled them or they ended up in a dustbin, but everything was reconfigured to accommodate this song.” Seeing dollar signs, the Rembrandts were urged to extend the track into a full song for “L.P.” “We were making a dark, heavier rock album - the antithesis of ‘Friends’ - so we weren’t happy about that,” Solem says. Soon, a Nashville station started playing the 42-second track looped to meet listener demand. Solem was stunned when “Friends” blew up, taking the song skyrocketing with it. – I think it was ‘It’s the End of the World’ – to vibe off, then we replaced it with our own sound.”
“They wanted an upbeat tempo and used R.E.M. Willis continued faxing through lyrics, which Solem tweaked. Musical director Michael Skloff had composed a piano melody, while executive producers Marta Kauffman and David Crane and late songwriter Allee Willis had started lyrics.
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