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Whereas other music games simply rely on hand-eye coordination involving abstract symbols, Vib-Ribbon uses the music to generate obstacle courses. Vib-Ribbon's actual gameplay is probably its most defining characteristic outside of the music importation feature. It's not a completely perfect implementation, but it's still well-done overall and makes the game worthwhile in that respect. Although the game engine has a tendency to draw upon the bass, it'll also occasionally call upon vocals and other parts to mess around with timing. Thankfully, Vib-Ribbon does a good job of being able to make its levels from the material with which it is provided. There are indeed several songs from Japanese indie group Laugh&Peace included in the game which serve as introductions to Vib-Ribbon's content, but the vast majority of the value stems from using one's own music collection. Instead of solely being packaged with pre-programmed songs that are tweaked according to difficulty, the game lets players import any song they please from a music CD. What differentiates Vib-Ribbon from most of the other modern music games on the market can be found in the way in which Vib-Ribbon presents its content. It's a PlayStation import that not everyone will necessarily be able to enjoy, but those that have the right tastes will find a game whose charm makes up for its deficiencies. However, a quick glance at the vector-style box art should be enough to indicate that Vib-Ribbon is really not that much of a conformist.

In that respect, Vib-Ribbon is no different. Regardless of the catalytic instrument used, the gameplay ultimately boils down to simply matching some rendition of notes and/or beats with proper timing. The conventions employed by games within the music genre tend to be consistent across the board.